Chapter 4 American Naturalism
+ {9 C R* Y! n; G I.Background) ?5 K6 g, z/ X0 V
1.Darwin's theory: "natural selection"! |. Z% Z9 H5 ?2 y
2.Spenser's idea: "social Darwinism"
* B j2 }" X1 o! C4 m' l 3.French Naturalism: Zora4 }& m/ i) K" C5 T% l
II.Features" m' [ }! y+ F
1.environment and heredity
) i, V2 l0 u8 d; c# W 2.scientific accuracy and a lot of details, D& D, V3 I) v6 L6 {! P
3.general tone: hopelessness, despair, gloom, ugly side of the society
2 w( m& U% ]2 V* c3 ^8 n III.significance
; z! C( Z. M6 K& J! c) Y It prepares the way for the writing of 1920s’
4 `) d3 i* |/ w0 K% a# I “lost generation” and T. S. Eliot.6 v0 I, G4 K) z3 [% H# u
IV.Theodore Dreiser" v$ J, ?. ~$ g$ Y$ x! E# ~+ Q; r( P
1.life- b8 a5 h" h+ I8 N3 C4 _6 S
2.works
; X( U& R! e W6 X: P! F7 N' `2 E (1)Sister Carrie
2 N9 ~2 t: a3 ^! l (2)The trilogy: Financier, The Titan, The Stoic
$ J" P$ `& W) A" N7 }0 P& p# m (3)Jennie Gerhardt. u) v% X- M$ e0 g' q' j8 j; Y6 B3 S
(4)American Tragedy
7 f: h/ A& q" o( J( b (5)The Genius
& |) n: P3 ?% M3 f4 `, H- v9 ^ 3.point of view
8 Y7 u# N# Y; I) Y7 j (1)He embraced social Darwinism – survival of the fittest. He learned to regard man as merely an animal driven by greed and lust in a struggle for existence in which only the "fittest", the most ruthless, survive.$ Q' \8 Y; h5 h* O, S
(2)Life is predatory, a "game" of the lecherous and heartless, a jungle struggle in which man, being "a waif and an interloper in Nature", a "wisp in the wind of social forces", is a mere pawn in the general scheme of things, with no power whatever to assert his will.8 W$ m+ @3 L H8 V$ C: M0 q. l
(3)No one is ethically free; everything is determined by a complex of internal chemisms and by the forces of social pressure./ L" C0 M( T) a5 t
4.Sister Carrie
5 r- m% A# l' N2 ~1 d0 _) ? (1)Plot" A+ H& [- i8 x4 F
(2)Analysis
8 L6 _ ^& _5 T! d9 B 5.Style
& \* L! a L0 l% Y: p (1)Without good structure( h$ D/ `2 ~6 S3 \
(2)Deficient characterization
# D7 u8 r7 R% S$ z: D+ ` (3)Lack in imagination/ l0 [3 u9 s: B
(4)Journalistic method
. O0 A# X$ [7 f3 A9 O: s (5)Techniques in painting |