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[人文知识] 专八人文知识:美国文学简史(四)

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发表于 2012-8-14 11:42:11 | 显示全部楼层 |阅读模式
  Section 3 Late Romanticism% C% y4 ^, j- o; q! l! {5 v2 O
  I. Nathaniel Hawthorne3 l7 h" }; Z2 g, v& x& G9 R7 K  V
  1. life* s! C" L7 m2 m3 u. a1 j. d
  2. works4 E) Y7 L) ~/ h$ U1 p% C8 |
  (1) Two collections of short stories: Twice-told Tales, Mosses from and Old Manse1 f5 k( M! u' }/ H4 W- p+ C/ z
  (2) The Scarlet Letter
+ z8 a% |  }; y' n/ ]8 i  (3) The House of the Seven Gables
9 y4 J! d4 H* F. t  (4) The Marble Faun
# K. B: h+ a8 V* T$ `* s4 I' R  3. point of view0 Y3 K' {4 p: T' V+ ^/ ]
  (1) Evil is at the core of human life, “that blackness in Hawthorne”  j  v1 M' k- J) {+ ~! Z1 O0 o8 \
  (2) Whenever there is sin, there is punishment. Sin or evil can be passed from generation to generation (causality).
% ?; S: O  T! S5 @1 ]  (3) He is of the opinion that evil educates.
7 C( g; [% S3 X( [8 f& ]  (4) He has disgust in science.
* V% F1 i) g6 q( L  4. aesthetic ideas/ _9 i( i6 ~  O$ c. G$ w
  (1) He took a great interest in history and antiquity. To him these furnish the soil on which his mind grows to fruition.
* |) x0 @) N. L+ C/ A/ @% R' U  (2) He was convinced that romance was the predestined form of American narrative. To tell the truth and satirize and yet not to offend: That was what Hawthorne had in mind to achieve.4 ]( t# w1 }# U  d9 j
  5. style – typical romantic writer
; T) S) J/ x+ c  (1) the use of symbols
5 V; r* _( b: m' X" ]  (2) revelation of characters’ psychology
& C* S! ^3 b( L$ a  (3) the use of supernatural mixed with the actual3 E# S) ^& ^9 P* X
  (4) his stories are parable (parable inform) – to teach a lesson
; P& j- r4 Y- C  (5) use of ambiguity to keep the reader in the world of uncertainty – multiple point of view6 p+ W: i5 s& {# m7 C: _3 Q! R
  II. Herman Melville
( @: E6 g7 X. b, A4 p  1. life. z0 y) m0 W0 ~( C  n+ b/ }
  2. works; L* X  w8 m6 \$ z1 X( u
  (1) Typee% C. L" P: n. V* C
  (2) Omio
4 l" v/ P5 b% k$ B% z$ J  (3) Mardi
" {3 u3 M4 m; S! v, a  (4) Redburn
0 |5 ?! ~1 d9 _9 p& u, u: W- g  (5) White Jacket: V9 Z6 ^% R! `7 e. O) n% K
  (6) Moby Dick
# E9 U9 T% R9 d7 Z1 F: H: o  (7) Pierre' W8 U4 w; @* Q3 O
  (8) Billy Budd# Q- @* F: e* G! Y/ z" q
  3. point of view
) N, G8 x! x* z8 p! D  (1) He never seems able to say an affirmative yes to life: His is the attitude of “Everlasting Nay” (negative attitude towards life).7 X9 \) r% G$ p4 N1 b1 M7 {* {
  (2) One of the major themes of his is alienation (far away from each other).
. Z2 d6 J. L' O2 ?. ^6 K2 g  Other themes: loneliness, suicidal individualism (individualism causing disaster and death), rejection and quest, confrontation of innocence and evil, doubts over the comforting 19c idea of progress
- L, f: q& @+ u1 \) R# u  4. style7 J# V) F3 G+ K) f7 S& }
  (1) Like Hawthorne, Melville manages to achieve the effect of ambiguity through employing the technique of multiple view of his narratives.
( W2 M& C0 m; v4 {& Q  (2) He tends to write periodic chapters., m6 _. X8 T4 H* ^
  (3) His rich rhythmical prose and his poetic power have been profusely commented upon and praised.% g5 H% N1 [+ f9 a& J
  (4) His works are symbolic and metaphorical.% F: p1 B7 C- ~. ~+ b
  (5) He includes many non-narrative chapters of factual background or description of what goes on board the ship or on the route (Moby Dick)
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 楼主| 发表于 2012-8-14 11:42:12 | 显示全部楼层

专八人文知识:美国文学简史(四)

  Romantic Poets! ^+ L8 S1 s. t9 ^6 W4 B; A
  I. Walt Whitman8 e5 C( j' t. B- h; J3 V1 ?1 k( s
  1. life- G0 o8 S! C8 `* Z2 c
  2. work: Leaves of Grass (9 editions)9 ?, x  ~7 s0 T# U  |* p0 S, [
  (1) Song of Myself) L/ Y. i* b* t9 Y, w/ a
  (2) There Was a Child Went Forth# h" T' W; T, S. `  [9 M
  (3) Crossing Brooklyn Ferry2 x" X8 L( ~! j
  (4) Democratic Vistas
: d' c' u# F( t) Q4 u  (5) Passage to India- E' X* ~  Q# d" }/ ?. I5 R8 ]
  (6) Out of the Cradle Endlessly Rocking3 b7 f$ r. R+ a/ A* ^) \
  3. themes –“Catalogue of American and European thought”
, y* h' {2 ], |, ]' ^  He had been influenced by many American and European thoughts: enlightenment, idealism, transcendentalism, science, evolution ideas, western frontier spirits, Jefferson’s individualism, Civil War Unionism, Orientalism.
, j; s, @- V/ r% I( R! Z3 `0 h* H  Major themes in his poems (almost everything):
' X! q+ l" U: @9 N3 I! t  l equality of things and beings
, S/ R  D3 z* D# L9 L% W* m1 A  l divinity of everything
+ p2 B! Z& `4 i& P% L  q  l immanence of God
8 v* ^2 b! h, s' b9 m9 S7 x  l democracy
  M, i# F: N4 D' [, Z5 K  l evolution of cosmos1 U9 X9 Y) m$ O% s
  l multiplicity of nature
7 L- Z' j  _5 U9 k  l self-reliant spirit% V- X* l4 L& M2 g
  l death, beauty of death
) b! _6 I- b( d  F1 |3 `9 x  l expansion of America
6 }4 {7 @$ p$ D3 ]- G$ }  l brotherhood and social solidarity (unity of nations in the world)" e8 p  k% a/ K6 z
  l pursuit of love and happiness# N" r7 p+ t5 C* Y/ O6 o
  4. style: “free verse”
$ F# H+ q0 \9 K" U) i  (1) no fixed rhyme or scheme
4 t6 Q( C! \6 u) `  (2) parallelism, a rhythm of thought
9 L4 \% s6 r5 J- M$ D; y  (3) phonetic recurrence
* X4 Y; f% n/ ]7 O3 ]$ L  (4) the habit of using snapshots; H1 i7 e) N% D) W& ?- V
  (5) the use of a certain pronoun “I”
3 t: r, {. y1 U0 I5 ^4 I) l" ~  (6) a looser and more open-ended syntactic structure
' V* d- v) f& {+ b) S: i3 a" n  (7) use of conventional image
; v( J' D5 `3 j3 [5 v1 ?/ g  (8) strong tendency to use oral English6 F, B/ K( f! y
  (9) vocabulary – powerful, colourful, rarely used words of foreign origins, some even wrong
, |: Q8 N4 |7 x' p9 E8 p5 j  (10) sentences – catalogue technique: long list of names, long poem lines. p9 Y0 X1 W' r* D- @
  5. influence/ Q; J. b  x$ T, `2 l" |6 j, E9 y' p
  (1) His best work has become part of the common property of Western culture.8 y% o( M- Q5 K: G# ~- o
  (2) He took over Whitman’s vision of the poet-prophet and poet-teacher and recast it in a more sophisticated and Europeanized mood.
- K. C" p( D* S! `: Y! U7 b; \  (3) He has been compared to a mountain in American literary history.
# K* {7 @. O; H7 Z  (4) Contemporary American poetry, whatever school or form, bears witness to his great influence.5 S; H3 D; G) d( g3 c% C6 V; F/ h& I% c" M
  II. Emily Dickenson
* Y0 D9 V) l' {/ W; _  q, ]1 N! n* X  1. life1 U" U6 P7 X2 Z2 I0 {
  2. works
. C1 i2 [! o2 m2 G8 D5 x  (1) My Life Closed Twice before Its Close
- Y. x, L2 `3 r3 o1 c+ P  (2) Because I Can’t Stop for Death" Q) Z$ U% _" @! \& o6 n" }4 k9 i
  (3) I Heard a Fly Buzz – When I died
! ^& V- A0 v3 N1 L$ E0 H  (4) Mine – by the Right of the White Election8 P7 Y+ c4 j. i- j
  (5) Wild Nights – Wild Nights3 k, |9 H, F- y. S
  3. themes: based on her own experiences/joys/sorrows7 e. a% t$ |) N* v
  (1) religion – doubt and belief about religious subjects
$ Y/ n% u( {4 e' s/ ^  (2) death and immortality$ f/ j; f0 D( V1 x7 y5 [) L
  (3) love – suffering and frustration caused by love+ D# i- g4 @8 _' \- C
  (4) physical aspect of desire% |% U7 A! X# Z& b6 a
  (5) nature – kind and cruel
% ?% |) |$ D/ W% z* {. ]/ E: U  (6) free will and human responsibility
; t; j. t, N( I/ r; y  4. style
" K: W; v* f; f7 z  (1) poems without titles
9 R. ]5 F2 Z7 T4 M  (2) severe economy of expression2 [1 e* {! D& K7 \6 q
  (3) directness, brevity
+ F) q* Z  U6 v1 \& y4 B" O  (4) musical device to create cadence (rhythm)
7 M( V9 A; W9 N4 [( p7 k6 E  (5) capital letters – emphasis
4 ^( {2 @1 m  u$ F2 O& z  (6) short poems, mainly two stanzas" Z4 g3 Y3 c3 u, x. q
  (7) rhetoric techniques: personification – make some of abstract ideas vivid' R* E2 O# w4 K# O$ I7 z% H
  III. Comparison: Whitman vs. Dickinson
7 Y7 W! r6 L8 u8 T  1. Similarities:
) Y1 k8 W6 M* K" X! z' l. [  (1) Thematically, they both extolled, in their different ways, an emergent America, its expansion, its individualism and its Americanness, their poetry being part of “American Renaissance”.
# {( q& N0 a9 P3 {0 V$ q" {  (2) Technically, they both added to the literary independence of the new nation by breaking free of the convention of the iambic pentameter and exhibiting a freedom in form unknown before: they were pioneers in American poetry.8 \* Z1 v; P7 S" `0 n+ A, f: e  Z
  2. differences:1 T& o3 z- L4 ?: e
  (1) Whitman seems to keep his eye on society at large; Dickinson explores the inner life of the individual.
1 f8 w* q/ L" ?  (2) Whereas Whitman is “national” in his outlook, Dickinson is “regional”.
- {. Y) g- c5 u* K  Dickinson has the “catalogue technique” (direct, simple style) which Whitman doesn’t have.
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