TEXT I% a3 ^! {' ~. e. C
First read the following question.
2 g! w3 K" W: D" ?" L 33The index is most probably from a book on.
' q8 n" e o4 E/ _- g! ? A.Hart Crane B.Daniel Aaron C.William Faulkner D.W.H. Audern6 r4 l, ?' D/ M3 `3 v
Now read the text quickly and answer question 33.
, }2 `) V# J+ [7 O* ] Aaron,Danicl,2—3,6—7,80 [, k+ s+ b5 m) t
Absalom, Absalom!,3,55,127;British responses to,116,120—21;community in,39—40;endurance as theme in,25:“fatherless”children in,78—79;Gnosticism as theme in,130,134—35,156—57;importance of historyin,145,148,157,158;love and compassion in,24—25;race as theme in,24,25,130:“Stoic Christianity”in,134! }& ^/ R3 S, r0 R7 Y( E0 s1 t
—characters in,24,25,26,39,40,73,78—79,129—130,134,1576;Charles Bon,24,2577;Quentin Compson,79,94,158;Judith Sutpen,24—25,26,55,78,129—35 passim,156—57,158
0 V$ O( w0 A8 J" A Alienation,34—35,37* G/ R8 w, s- P5 A. d& k
American Deam,136—44 passin,147,151
0 \/ t. o+ X2 @) g7 Z4 V The American Dream:What Happened to it?:circumsances of writingof,136—38.See also“On Fear”:“On Privacy”
% `5 s: b) Y$ h2 E Anderson,Sherwood,34—35,37,50,52;influence of,on Faulkner,45,45n,46,46n;and Winesbury Ohio,34—35,45,46,46n,49,51
1 J# d4 o; c" M0 a+ ?6 l4 w Animals,19,63,See also“The Bear”
6 ~1 |- K! Z% o" Q! S$ ] As I Lay Dying,4,11,71,72,107,111
2 s4 G! J$ n: W$ l: b0 `" o9 p" Q' [ Auden,W.H,30
3 g( E1 u& R. N9 s Augustine,Saint,150—518 O0 d# R0 F z" x3 r
“The Bear,”19,57,63,151—55
) c/ q2 f" u: g, D& R) g “The Bear Shot,”56
1 u- Y. x7 Y- h8 c+ \& x Blacks:as characters in Faulkner's fiction,7,48,49,55,62—63,67,73,74,111—12,127;and white characters,88—89;civil rights of,95,139;community of,76—77;as witnesses to Christianity,125,127: r1 l. M V% |; Y3 @2 B8 w5 C
Blotner,Joseph,4,53—54,57,137
- P4 A; R- J( |- n6 S6 ~ Britain,106—22 passim, c& d: `- B0 e8 i9 s
Cathars,and courtly love,99,100,101
- N% f3 L. ?& E, O Cervantes,Miguel de,105—106
& K7 K4 s; X# T' p6 i9 I# U' w1 Z “Cheest!,”46
7 C: K* j6 e+ K, S, w3 c1 A* M) h Christianity,125,142,149—50;Faulkner's views on,16—17,28,123,124,129,131,145,153,156;and“Stoic Christianity,”134,135;as theme in Faulkner's fiction,17—18,62—63,123,124,127—28- y s1 r6 \0 i' U L4 C5 g- Q% y
Civil War,1,14,57,139;Faulkner's views of,144,153—54;in Faulkner's fiction,7,21,22,24,35,48,60,70,74,128
8 a2 ^. G! V' X* }7 g% h! e Cobb,Irvin S.47—49,57% O1 J; a$ A' e; }" p1 Z
“The Cobbler,”44n
0 C0 z: F: W% O* g8 Q Code duello,20,61,143" o7 n X- u- z) d: k+ }/ L2 O# b
Collins,Carvel,44—45
9 ?; z+ e0 _+ R L' R Commins,Saxe,138,1463 Q1 c& t/ i# r2 Y& A% q5 E
Community:Faulkner's concern for,35,38,93,140,142—43,145;and individualism,140—41;as theme in Faulkner's fiction,29—43 passim,47,49,51,52,91,92—93,129
/ B, _8 V" g0 `, [% ` Connolly,Cyril,115,116—17,118* L7 V7 Z7 l( R7 U
Coughlan,obert,137,1415 o; K% T9 C T7 z1 C9 q
Courage,18—19,129- _, E% f8 s7 J. w- U+ d2 m
Cowkley,Malcolm,60—61) H/ p1 |2 y$ C2 }3 }- G
Crane,Hart,151.. u% F* B& B1 |% A2 I" {$ i
“Damon and Pythias Unilimited,”47
* Z9 Q# j5 [& l( G3 @5 k Davidson,Donald,3—4,5,7,10,11
* M/ h* F* P' q4 {" k Davis,Lambet,140
, p9 P% M8 X7 ^& k2 _. O* W Depravity,as theme in Faulkner's work,110
8 _7 t9 ]1 }8 k- u6 M3 S( Q Despair,as theme in Faulkner's work,127
) Y$ H9 H0 X$ @) e" A Dos I'assos,John,39 ?2 v: U! m+ b& v
Double Dealer,44,46) p: p+ b2 I3 @' b- ` S
Dreiser,Theodore,118
/ m' @+ U- g: q “Dry September,”47
. [' ~# b0 c x/ E1 ^ “Dull Tale,”56" L" u8 `, G" t$ Y. t" ~4 s
Elito,T.S,52,91,137—38,143,148;and The Waste Land,51—52;125$ ?! G9 t2 I6 j% Z( r) D5 ?
Elmer,57
9 G3 ^. ]) K. V4 `+ w" { “Episode,”46—47
3 d, b T: q: S4 b% ]3 C& Y Family,68,69,72,145: K5 c! J1 e) v; g3 o- j8 D, T
Father:depicted in Faulkner's fiction,68,73,74;in Faulkner's family,68
k' x: u z Z r Faulkner,William:bohemianism of,137,143;as commentator on Southern |