1. Among the many----of the project, expense
! A# e9 v: h3 Y" Ncannot be numbered; the goals of the project’s
+ w6 C3 e# g/ ]4 X! |7 wpromoters can be achieved with impressive----. : p2 k; B" @" F9 M& V, ~9 A
(A) highlights.. efficiency
; q& i6 M5 p) ] I(B) features.. savings 7 ?' R5 S$ P" b5 \0 d: Z8 d2 b
(C) disadvantages.. innovation 4 w7 [6 \8 F( K
(D) claims.. speed ( m5 P( a' U. x! |+ S
(E) defects.. economy
+ K2 A1 e- y* ?: S" d2. Though science is often imagined as a----- 1 i" P# \7 D5 ^! j0 A
exploration of external reality, scientists are no . j" i( c, w7 v. [# X7 C& \
different from anyone else: they are----human 转自:考试网 - [Examw.Com]
9 K0 b: B0 c0 C' Z' tbeings enmeshed in a web of personal and
$ ^( i- u3 k3 _5 j* asocial circumstances. 1 u) G) g+ \3 h
(A) fervent.. vulnerable , v7 Y& C6 P2 \4 q
(B) neutral.. rational . E' j2 ~8 R3 r: _$ C7 Q8 }
(C) painstaking.. careless ( g3 o/ L) `0 m5 g
(D) disinterested.. passionate
4 D$ m4 V8 g! W u(E) cautious.. dynamic 6 f3 h7 ]9 v l' L4 g
3. The poet W. H. Auden believed that the greatest 1 c. y& a9 C8 l& W
poets of his age were almost necessarily irresponsible, ! M, P4 [) A; W) u
that the possession of great gifts----the 4 a8 o2 l& ], |- {6 N% d2 o& ]( `* H
----to abuse them. 6 }' P5 V2 b t+ P" r
(A) negates.. temptation
8 c1 M2 h3 \2 B' c5 k(B) controls.. resolution
9 D7 |7 I! G: y* A0 p, \5 A(C) engenders.. propensity - x1 z$ T% V& O/ ^% H9 g. B
(D) tempers.. proclivity
% w# c5 d/ Q) A(E) obviates.. inclination 4 X0 k( K4 f( R# @% s5 q
4. The self-important can of musicologists on record
o, f E; K% [jackets often suggests that true appreciation of the A/ _, C% N9 P1 S
music is an----process closed to the uninitiated
/ E; O2 R5 p3 `* w( y+ T0 g1 x+ ulistener, however enthusiastic. 2 |+ m/ Y# j* K. U) D) B( g
(A) unreliable (B) arcane (C) arrogant
5 K4 C, T* o8 x0 [& f* V0 \9 t(D) elementary (E) intuitive . v' b9 r( J0 ?6 I: r+ \
5. During periods of social and cultural stability, many
) q2 O8 L$ u4 j* [" }7 ?6 ~" C6 B0 nart academies are so firmly controlled by----that
. x3 _0 B( `- ?8 G P+ zall real creative work must be done by the----. & c4 V' W5 G; _
(A) dogmatists.. disenfranchised . D3 `& q' r2 Z k* H5 I8 N ]4 K: n
(B) managers.. reactionaries
8 I+ ?: w2 M4 F(C) reformers.. dissatisfied
. F4 _" o! b- J1 s) s' u(D) imposters.. academicians 4 T% E- U( Y; H( j. h! r* ]
(E) specialists.. elite |