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[历年真题] 托福阅读历年真题精选11

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发表于 2012-8-14 22:34:35 | 显示全部楼层 |阅读模式
Question 1-9
' D3 D2 O4 N" [: e" m: P& ?) c6 O  Often enough the craft worker’s place of employment in ancient Greece was set in
: P* Z% i- S4 d. Y& Krural isolation. Potter, for instance, found it convenient to locate their workshops near * r6 R8 S5 V6 i- X
their source of clay, regardless of its relation to the center of settlement, At Corinth and
! u) o3 o" d0 A& T1 L/ [; gline   Athens, however, two of the best-known potters’ quarters were situated on the cities’ + g2 E3 M. a! v0 d, j
   outskirts, and potters and makers of terra-cotta figurines were also established well within
. i: B- U: o2 n4 z/ U% r1 J2 Fthe city of Athens itself. The techniques of pottery manufacture had evolved well before+ V. c. M7 U" L: p. A1 v4 q
the Greek period, but marked stylistic developments occurred in shape and in decoration,
; C5 d4 r' W3 M! p" C, |% S. ofor example, in the interplay of black and other glazes with the red surface of the fired pot.
/ B) c- a! K5 w( v6 dAthenian black-figure and red-figure decoration, which emphasized human figures rather 3 j  C9 Y# Z0 N8 M/ a2 `
than animal images, was adopted between 630 and 530 B.C.;its distinctive color and luster- P3 b# I  f' p
were the result of the skillful adjustments of the kiln’s temperature during an extended. \3 e3 F( {% ?. W
three-stage period if firing the clayware. Whether it was the potters or the vase-painters
. u; C5 |4 X4 O$ h" R" |5 awho initiated changes in firing is unclear; the functions of making and decorating were
7 v' Y2 {1 Y6 D  I& @/ Ousually divided between them, but neither group can have been so specialized the they / Y) [3 O6 I1 `" r
did not share in the concerns of the other.
2 Q. U6 F: h6 i  The broad utility of terra-cotta was such that workers in clay could generally afford to
1 B; q1 @0 f; O* m! c; o4 @/ g* {Confine themselves to either decorated ware and housewares like cooking pots and storage 4 M7 U3 m, c' j) ]! b2 j
Jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C.9 }; F1 Z' K" x, ?3 T/ |/ e
Athenian pottery establishments are known to have concentrated on a limited range of fine% {/ j4 L+ i+ g6 S0 q
ware, but a rural pottery establishment on the island of Thasos produced many types of
' V8 {0 i& k  N+ s* Z5 z: O& vpottery and roof tiles too, presumably to meet local demand. Molds were used to create
# f# N3 U) L7 f, R3 N4 iparticular effects for some products, such as relief-decorated vessels and figurines; for9 D) O5 W, k1 s, K, p
other products such as roof tiles, which were needed in some quantity, they were used to& m$ Z$ P9 U, Y* {2 X' i; @# e) c8 w
facilitate mass production. There were also a number of poor-quality figurines and painted
1 @8 ?- ~$ Y0 V(25)   pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.
# D( N# f" B0 m- T4 R 9 P+ w3 A* }+ ^! |: S/ R/ J% S
. T2 o  W  i) w: L
7 G+ f* S' n( M1 u& i
1. The passage mainly discusses ancient Greek pottery and its
" K6 u! y% J; a9 j; Y; f8 Y(A) production techniques7 x; |1 |$ p3 g2 _$ ?, |/ \
(B) similarity to other crafts
( m2 w. X2 `( E! _, }5 I) |7 s(C) unusual materials2 U! H, E& Z! e' B
(D) resemblance to earlier pottery
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 楼主| 发表于 2012-8-14 22:34:36 | 显示全部楼层

托福阅读历年真题精选11

2. The phrase “regardless of” in line 3 is closest in meaning to </p>(A) as a result of + r, P0 U# A8 B: c+ C: B5 m
(B) no matter what % M! P' I% i4 S& i: k- V! Q" d! M
(C) proud of
+ J9 Y& x7 N/ z  U: p- O(D) according to # j! U* @3 k: {  i6 V5 b; k6 I, |' t% D
3. It can be inferred from the passage that most pottery establishments in ancient Greece were situated
6 ^( y" {: w3 t+ ?! C( t(A) in city centers& G0 [9 b6 g& N) X
(B) on the outskirts of cities8 k. \$ f% n3 w3 e7 L8 _: b
(C) where clay could be found
1 e* t& P1 `* i0 H2 B* X! w  \' e(D) near other potters’ workshops' i" \( y" f, u6 Z
4. The word “marked” in line 7 is closest in meaning to$ P$ Q) f4 M/ Q0 B3 N
(A) original
( H, Z5 O* ]. F' r% {( F1 Y(B) attractive
& B6 ?2 |# U( o$ n' \4 Z8 n+ k(C) noticeable5 q2 l) p% p( P  r" M
(D) patterned* z5 Y! B+ a6 o2 p, \. O
5. The word “confine” in line 17 is closest in meaning to
' u& ~  B/ H; t1 B3 v( N9 [/ g(A) adapt- g4 E2 |1 r2 G: o2 Z  a
(B) train
" t- R+ M/ T- g6 J( C(C) restrict
: R- m5 |! ~4 n5 C' B0 X(D) organize5 q; j, d! n+ L1 l
6. It can be inferred from the passage that terra-cotta had which of the following advantages”
5 F0 S0 ^) ]1 f7 D. n(A) It did not break during the firing process.
% e! x9 |$ g; i4 w- u3 r% b- A1 @(B) It was less expensive than other available materials.  z8 ^+ h. [2 Z
(C) Its surface had a lasting shine./ K. N' u( c3 Y5 b
(D) It could be used for many purposes.# F2 _  o/ ^; S, I
7. The word “presumably” in line 21 is closest in meaning to1 q) V2 }+ I1 I# L
(A) frequently
+ C; ?9 {# H7 J% f! T  t$ ?(B) practically& E5 m  j* N5 \/ l
(C) preferably
/ [8 H0 \( U5 C. q; i* a: I(D) probably+ v: h" g/ ?+ N) O% Z2 s( u  l% r  ~4 [
8. The word “they” in line 23 refers to, X+ e  i# Y+ U9 L- x
(A) molds
9 v, F, d# d% _/ v  T$ `* C! N% z(B) particular effects
; {7 Q  ?4 `1 V# P$ s6 ~(C) products, h$ s9 T4 _7 I9 X5 M, ~4 ~
(D) vessels and figurines
+ c9 o* ^) b3 \- X. O0 I2 w8 ?+ j9. According to the passage, all of the following are true of ancient Greek potters and vase painters EXCEPT: / s/ [, W! T4 S( }/ N: E; l
(A) Their functions were so specialized that they lacked common concerns.
+ M5 x1 w& p+ M6 y(B) They sometimes produced inferior ware./ M0 ~4 O+ T& s! P% U7 l- ^
(c) They produced pieces that had unusual color and shine.
+ D2 {  z7 \/ O5 E(D) They decorated many of their works with human images.
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