Question 1-9
' n* R6 n9 H q) z Often enough the craft worker’s place of employment in ancient Greece was set in . ?0 k8 g6 J2 }/ T; n. j1 ^
rural isolation. Potter, for instance, found it convenient to locate their workshops near 0 s* V" U* ~- ^8 Y! z. T
their source of clay, regardless of its relation to the center of settlement, At Corinth and. t) {0 D R* X( X
line Athens, however, two of the best-known potters’ quarters were situated on the cities’
0 x( p* H4 ? Z4 `# T, ? outskirts, and potters and makers of terra-cotta figurines were also established well within
. G7 x) R- E3 l1 v8 b* e M3 p, [8 Ythe city of Athens itself. The techniques of pottery manufacture had evolved well before
. n3 _8 I/ n+ R( X% b" o, B0 kthe Greek period, but marked stylistic developments occurred in shape and in decoration,
4 }# [& o4 A8 q, V6 a% |for example, in the interplay of black and other glazes with the red surface of the fired pot.
$ _- g7 M; a3 a" O3 ?Athenian black-figure and red-figure decoration, which emphasized human figures rather $ _3 X ?6 e/ T j" I) \" n+ F
than animal images, was adopted between 630 and 530 B.C.;its distinctive color and luster
1 E9 N$ i4 w/ f1 T c0 s6 B' e* N6 zwere the result of the skillful adjustments of the kiln’s temperature during an extended
% C+ A. N% C* q- Q- L; Dthree-stage period if firing the clayware. Whether it was the potters or the vase-painters " x* Q0 G7 Z2 d1 t, E1 i
who initiated changes in firing is unclear; the functions of making and decorating were
/ ~% H4 {0 j) x# L6 U1 E! Gusually divided between them, but neither group can have been so specialized the they # f3 a% z F6 z, }$ D: e1 x* R
did not share in the concerns of the other./ A3 {' W$ N7 F6 s; Y& n
The broad utility of terra-cotta was such that workers in clay could generally afford to
% Y* m: T% ~+ O Y' Z+ |Confine themselves to either decorated ware and housewares like cooking pots and storage 7 q& f2 N* }5 k: G, S9 S
Jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C.
3 }0 d0 T) A) g3 `- \' _Athenian pottery establishments are known to have concentrated on a limited range of fine
* N) w3 u8 s/ N/ w J ware, but a rural pottery establishment on the island of Thasos produced many types of ) c" Q4 H% C0 e/ m. t3 E: S
pottery and roof tiles too, presumably to meet local demand. Molds were used to create' Y' b5 G1 }2 [$ x4 [( ~
particular effects for some products, such as relief-decorated vessels and figurines; for; [& h# g1 }. Z |
other products such as roof tiles, which were needed in some quantity, they were used to) o; g, F7 K& u8 F& o: x( p) ]! D
facilitate mass production. There were also a number of poor-quality figurines and painted* g9 I# p* ~3 k' [2 y
(25) pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.2 o- `5 k3 y0 ]$ c# l6 v8 K
' Z7 K- n& U5 j7 s1 T+ A
3 p1 Z8 ]! R. H. b
5 D& E4 T9 L6 T& Y( J; Q, b1. The passage mainly discusses ancient Greek pottery and its
- n/ P5 V; m* I. R(A) production techniques
$ @( D! m# i9 c5 ~. W(B) similarity to other crafts5 x& x, r+ t8 o5 u
(C) unusual materials \; [- w9 r6 b5 R8 [4 m+ `
(D) resemblance to earlier pottery |