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[历年真题] 托福阅读历年真题精选11

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发表于 2012-8-14 22:34:35 | 显示全部楼层 |阅读模式
Question 1-9
' n* R6 n9 H  q) z  Often enough the craft worker’s place of employment in ancient Greece was set in . ?0 k8 g6 J2 }/ T; n. j1 ^
rural isolation. Potter, for instance, found it convenient to locate their workshops near 0 s* V" U* ~- ^8 Y! z. T
their source of clay, regardless of its relation to the center of settlement, At Corinth and. t) {0 D  R* X( X
line   Athens, however, two of the best-known potters’ quarters were situated on the cities’
0 x( p* H4 ?  Z4 `# T, ?   outskirts, and potters and makers of terra-cotta figurines were also established well within
. G7 x) R- E3 l1 v8 b* e  M3 p, [8 Ythe city of Athens itself. The techniques of pottery manufacture had evolved well before
. n3 _8 I/ n+ R( X% b" o, B0 kthe Greek period, but marked stylistic developments occurred in shape and in decoration,
4 }# [& o4 A8 q, V6 a% |for example, in the interplay of black and other glazes with the red surface of the fired pot.
$ _- g7 M; a3 a" O3 ?Athenian black-figure and red-figure decoration, which emphasized human figures rather $ _3 X  ?6 e/ T  j" I) \" n+ F
than animal images, was adopted between 630 and 530 B.C.;its distinctive color and luster
1 E9 N$ i4 w/ f1 T  c0 s6 B' e* N6 zwere the result of the skillful adjustments of the kiln’s temperature during an extended
% C+ A. N% C* q- Q- L; Dthree-stage period if firing the clayware. Whether it was the potters or the vase-painters " x* Q0 G7 Z2 d1 t, E1 i
who initiated changes in firing is unclear; the functions of making and decorating were
/ ~% H4 {0 j) x# L6 U1 E! Gusually divided between them, but neither group can have been so specialized the they # f3 a% z  F6 z, }$ D: e1 x* R
did not share in the concerns of the other./ A3 {' W$ N7 F6 s; Y& n
  The broad utility of terra-cotta was such that workers in clay could generally afford to
% Y* m: T% ~+ O  Y' Z+ |Confine themselves to either decorated ware and housewares like cooking pots and storage 7 q& f2 N* }5 k: G, S9 S
Jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C.
3 }0 d0 T) A) g3 `- \' _Athenian pottery establishments are known to have concentrated on a limited range of fine
* N) w3 u8 s/ N/ w  J ware, but a rural pottery establishment on the island of Thasos produced many types of ) c" Q4 H% C0 e/ m. t3 E: S
pottery and roof tiles too, presumably to meet local demand. Molds were used to create' Y' b5 G1 }2 [$ x4 [( ~
particular effects for some products, such as relief-decorated vessels and figurines; for; [& h# g1 }. Z  |
other products such as roof tiles, which were needed in some quantity, they were used to) o; g, F7 K& u8 F& o: x( p) ]! D
facilitate mass production. There were also a number of poor-quality figurines and painted* g9 I# p* ~3 k' [2 y
(25)   pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.2 o- `5 k3 y0 ]$ c# l6 v8 K
' Z7 K- n& U5 j7 s1 T+ A
3 p1 Z8 ]! R. H. b

5 D& E4 T9 L6 T& Y( J; Q, b1. The passage mainly discusses ancient Greek pottery and its
- n/ P5 V; m* I. R(A) production techniques
$ @( D! m# i9 c5 ~. W(B) similarity to other crafts5 x& x, r+ t8 o5 u
(C) unusual materials  \; [- w9 r6 b5 R8 [4 m+ `
(D) resemblance to earlier pottery
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 楼主| 发表于 2012-8-14 22:34:36 | 显示全部楼层

托福阅读历年真题精选11

2. The phrase “regardless of” in line 3 is closest in meaning to </p>(A) as a result of
2 a$ P( `7 n: ]2 x/ C+ p4 u5 B(B) no matter what
, `8 W' ?: t! {0 Z6 f(C) proud of ( b9 N# f, ~1 ?# b1 u9 s" ^9 m
(D) according to
% A/ m) m3 o0 ]; `; b3. It can be inferred from the passage that most pottery establishments in ancient Greece were situated5 j# ?0 l9 l* ?9 ^
(A) in city centers
6 F* P# o0 g( D& ?1 d" n: j4 m(B) on the outskirts of cities
9 E5 Q5 Q0 u2 x; H(C) where clay could be found
: j( t2 ^4 u( m! o9 m; l5 M& R2 L4 |(D) near other potters’ workshops9 x" L4 u' `+ x$ I' U1 s* T5 k6 \
4. The word “marked” in line 7 is closest in meaning to
2 K2 f4 i( f- {" _% s( _/ Z6 p(A) original
7 ^: B7 g- ~0 i! ?(B) attractive
9 M; c4 X6 Z1 Y( j(C) noticeable
) m- n: a2 S+ j(D) patterned
( N7 C7 r/ z% H8 U3 C! J8 v5. The word “confine” in line 17 is closest in meaning to * [- z, S- L8 g7 ?7 Q: Y: v) `! d3 T
(A) adapt- f7 [! @1 y" Q: n9 e( H
(B) train7 J; v- I( x$ i* E- X% P, A
(C) restrict  q7 A. W( o8 E, k
(D) organize7 z( Q% F# b2 D4 G" K9 [
6. It can be inferred from the passage that terra-cotta had which of the following advantages”
0 C' H. H6 N7 F- V6 }/ N(A) It did not break during the firing process.
: l3 S) G( P: m(B) It was less expensive than other available materials.& `" B4 M! P3 M+ A& d8 ?
(C) Its surface had a lasting shine.. b) S& K. M# @
(D) It could be used for many purposes.
" C: A, j. \% a, B5 Z6 H" l7. The word “presumably” in line 21 is closest in meaning to- @4 H. C1 A0 ?  M8 W( j
(A) frequently! z- N1 {9 q% {3 q  {- @
(B) practically" M7 ~, i+ J- D0 B
(C) preferably
) {# n9 _: V9 w9 ^' W(D) probably; g7 t; z4 V# `$ d/ J# K% x! C  p
8. The word “they” in line 23 refers to& ~& [" ]7 {/ D' M& m4 d
(A) molds3 q1 }( e( x. X7 w) T3 c$ \) D
(B) particular effects
+ ]8 C% o8 p! I6 V(C) products, h' G* q2 v: P, @! j6 [0 K, n
(D) vessels and figurines
7 ?: S$ B! T. L# C9 N3 w2 [9. According to the passage, all of the following are true of ancient Greek potters and vase painters EXCEPT: * q2 M& v0 U) Q, c
(A) Their functions were so specialized that they lacked common concerns.
' w' w9 ~: o" v2 Z/ A(B) They sometimes produced inferior ware.
4 U. J/ S; N. [5 ^! i9 {, n7 R(c) They produced pieces that had unusual color and shine.
6 v6 v- O" P  v* w5 h(D) They decorated many of their works with human images.
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