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[历年真题] 托福阅读历年真题精选31

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发表于 2012-8-14 22:34:35 | 显示全部楼层 |阅读模式
Questions 40-507 ?9 _, {* t; n0 X( X  k/ l8 n
Of all modern instruments, the violin is apparently one of the simplest. It consists in" `2 D* w. Q3 a3 f5 Y0 f( Y
essence of a hollow, varnished wooden sound box, or resonator, and a long neck, covered' x+ i7 ]5 I6 D9 o
with a fingerboard, along which four strings are stretched at high tension. The beauty of+ d  j9 ~6 Q, s/ n9 q
Line design, shape, and decoration is no accident: the proportions of the instrument are" E, J3 T' \8 W9 J" ?
(5) determined almost entirely by acoustical considerations. Its simplicity of appearance is& U7 j( C# K" ^) d
deceptive. About 70 parts are involved in the construction of a violin, Its tone and its) q. i/ h" h" F8 A
outstanding range of expressiveness make it an ideal solo instrument. No less important.* A% d- D8 v* r4 r- t7 i
however, is its role as an orchestral and chamber instrument. In combination with the  s5 m, j4 _1 N6 g/ p: l
larger and deeper-sounding members of the same family, the violins form the nucleus" ?5 b9 w. r; E6 M$ y6 e  Y) U9 k
(10) of the modern symphony orchestra.
( h5 v; E& L% I8 p" iThe violin has been in existence since about 1550. Its importance as an instrument
+ e: h- I, o; Y4 S1 T3 \" sin its own right dates from the early 1600's, when it first became standard in Italian4 a* P% X9 U( p5 _
opera orchestras. Its stature as an orchestral instrument was raised further when in 1626
. t/ ^. i0 ?7 W! f: O2 BLouis XIII of France established at his court the orchestra known as Les vingt-quatre: S: [. N0 f2 _0 i. i" p3 O# I* @( U7 L
(15) violons du Roy (The King's 24 Violins), which was to become widely famous later in
& @+ q, s3 C  }: R0 B% Pthe century.
0 ?  `/ k7 C. A% o% _" ^1 {In its early history, the violin had a dull and rather quiet tone resulting from the fact' y. {4 I' T7 n- w' U
that the strings were thick and were attached to the body of the instrument very loosely.( a5 N; L/ Z! A9 F* ~
During the eighteenth and nineteenth century, exciting technical changes were inspired0 R: g( g% l/ k, U8 ?1 w
(20) by such composer-violinists as Vivaldi and Tartini. Their instrumental compositions+ d* N9 A$ |5 T! W, i5 n; E
demanded a fuller, clearer, and more brilliant tone that was produced by using thinner
: _1 [7 [% o7 K2 Y0 Rstrings and a far higher string tension. Small changes had to be made to the violin's
4 F3 g% g7 a+ U$ Tinternal structure and to the fingerboard so that they could withstand the extra strain.- o7 x' Z" D' c# L; a
Accordingly, ,a higher standard of performance was achieved, in terms of both facility) ?# Z( s. q9 I+ G+ H
(25) and interpretation. Left-hand technique was considerably elaborated, and new fingering' e' |( h( Y' ~3 Y, \0 z
patterns on the fingerboard were developed for very high notes.
, v6 h3 U" O6 _+ a# d   f+ H1 [. q: ]7 y3 L* w
40. The word "standard" in line 12 is closest in meaning to5 i5 H2 o/ L' A! y* ]
(A) practical7 u9 b& U: E5 W3 x% R
(B) customary
, B+ O, f- L  y' D  Y0 X& p, ~1 ^2 k(C) possible
9 {( L$ i" T! E4 \/ o(D) unusual
. g; d1 e6 N, v% H# y% n% H- y+ b41. "The King’s 24 Violins" is mentioned in line 15 to illustrate
0 d% t' K  K8 i  A2 m8 g(A) how the violin became a renowned instrument
. h$ _! k4 v9 H9 @(B) the competition in the 1600's between French and Italian orchestras
- c+ P5 v9 L7 q& E7 r( q7 i(C) the superiority of French violins
4 ^, R5 h# G: W, I5 x+ A4 {6 q(D) why the violin was considered the only instrument suitable to be played by royalty
! N9 l; H+ v) N9 N/ Y, ^* C; M+ r
$ j' o. ]& b+ w5 Y, s1 W42. What is the main idea presented in paragraph 3?
8 h& }- I$ r+ I0 `. ~. ]. J) M(A) The violin has been modified to fit its evolving musical functions.; D! G$ A6 c& h! m
(B) The violin is probably the best known and most widely distributed musical instrument in the4 M, `. b; m# L% k. E5 _. g
world.$ e0 K  {& l0 i3 I
(C) The violin had reached the height of its popularity by the middle of the eighteenth century.
' u$ [5 ?) L7 ]- B(D) The technique of playing the violin has remained essentially the same since the 1600's.
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 楼主| 发表于 2012-8-14 22:34:36 | 显示全部楼层

托福阅读历年真题精选31

43. The author mentions Vivaldi and Tartini in line 20 as examples of composers whose music</p>(A) inspired more people to play the violin
+ {6 u4 u' _  t7 y(B) had to be adapted to the violin, ~. r2 r6 {& [& }1 C" U4 ]
(C) demanded more sophisticated violins
+ j3 I# _) J# C; M(D) could be played only by their students
5 ~3 w6 a7 O% e: |! M, [ ! S. H5 U" y$ b/ W  I6 H
44. The word "they" in line 23 refers to; G% p! t8 v9 H% [
(A) Civaldi and Tartini
( |; g! }  ~, T4 q  K2 Q6 ?(B) thinner strings and a higher string tension
0 b1 `* Q; x' {0 K. a- I' r5 ](C) small changes5 `% Z( N" v9 v& ?/ ?' ~
(D) internal structure and fingerboard
# B! ?0 s0 L% S$ t3 U8 o3 g
  W/ V) f7 M2 U# t: F45. The word "strain" in line 23 is closest in meaning to
4 v7 w- F9 w/ k9 {( Q(A) struggle$ h' _% S  M3 X3 t! M1 L6 j
(B) strength' T" A! U; y; R7 m6 w6 E4 M+ Y: C  @) n
(C) strategy
. R% c. O& M7 @/ a( a4 w) C8 p& J1 ^(D) stress
5 y3 f7 a# k  M8 h2 ?) P' h
, _7 r) v. @1 x# I; h46. The word "Accordingly" in line 24 is closest in meaning to
' C  P. f# ^1 _) `(A) However- I2 i, {; P( h& c0 s: f# t) `: T
(B) Consequently0 E$ k/ E" X9 R8 ]
(C) Nevertheless8 N0 b( F# f! s
(D) Ultimately
7 d0 i- g6 n, E7 S6 G0 u ( U; h: V3 i0 ^+ i) `
47. According to the passage, early violins were different from modern violins in that early violins
) W' c% u  b$ R+ T( ~/ @% s(A) were heavier, Q1 B+ Y; C, }2 d, k2 q3 C
(B) broke down more easily# w  e- J6 q3 g
(C) produced softer tones
9 y. @& u7 a" ?, J" y) @5 [' X(D) were easier to play
1 g; Z& H0 c8 \8 B( K7 }/ a! X : [: n+ N; S4 L: w
48. According to the passage, which of the following contributes to a dull sound being produced
, {5 J2 j4 T# j2 ]7 {by a violin?' X- q- ^2 \; J' D
  O1 m% Z: \2 @" R" S3 w: v
(A) A long fingerboard" n, j/ n% @$ T$ p; l8 p
(B) A small body
4 v4 ]$ [# G; J$ B- j8 R% |(C) High string tension
0 n2 S1 r8 F; R, w; J" O! Z* K+ R3 ?(D) Thick strings
0 `3 A) m8 ~# N. r( C5 d0 [. F& ~ 5 j) a/ _0 f" p8 P6 c2 ]# N
49. Which of the following terms is defined in the passage?2 u3 a) }8 i, D
(A) resonator (line 2)" Z5 O5 }7 j$ [% R5 {8 p
(B) solo (line 7)( n: X+ [* k# t6 K4 q, g
(C) left-hand technique (line 25)- b4 ]0 q* {/ T
(D) fingering patterns (lines 25-26)8 X( e. g. ]+ ^% `* `$ z% E' Z6 D

7 u$ J0 [( q- Z. e6 v, c( L50. All of the following are mentioned in the passage as contributing to the ability to play modern violin music EXCEPT" j% ]+ _- J' k- |# m
(A) more complicated techniques for the left hand
3 q, L  O- M5 W0 b+ ~' e; g& t" S(B) different ways to use the fingers to play very high notes
( _' M8 n3 ?2 x6 O(C) use of rare wood for the fingerboard and neck3 V) v- V$ ?# j3 Y+ H# B5 g, C
(D) minor alterations to the structure of the instrument
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