</p>Q: What does the woman imply about the man should do? % h& P% e) i) d
14. M: I'm really having trouble with this literature course. If I can't start doing better soon, I'm going to have to drop it.
& \ Q- z! i& }2 nW: Why don't you get some help from the graduate assistant? That's what he's there for.
. L" l- l; B$ z2 ?Q: What does the woman suggest the man do?
3 d! z7 \$ b8 j3 a15. W: I've been working on this report all day. And I've still got 12 pages to write. At this rate, I'll never get it done by tomorrow.
$ O' {) o/ S1 G; s# Y- {9 SM: Oh, that's right. You weren't in class today, so you probably haven't heard that the deadline’s been extended a week.* V/ Z" w# W8 ^
Q: What does the man imply?
* D5 s1 C- U$ G+ O16. W: I don't think I want to live in the dormitory next year. I need more privacy.5 [4 t0 y7 q: E5 o' r1 f
M: I know what you mean. But check out the cost of renting an apartment first, I wouldn't be surprised if you changed your mind.$ E, C* z$ A# Z/ ~: V% h6 q% C8 B/ I
Q: What does the man think the woman will do?
: H* U! K3 K, P7 U3 u1 F17. W: These mosquitoes bite are killing me. I can’t help scratching.
5 C: M; i1 x% ], q- HM: Next time you go camping, take some precaution, such as wearing long sleeves
; g* @8 G6 v" b" ~- t) vQ: Why does the man suggest the woman wear long sleeves?- h8 V" }( V! j9 M: k# }; ]% P) G
18. W: My brother is coming this weekend and I thought three of us could go out to dinner Saturday night. Any suggestions?' F. o+ {. Y( r5 x4 X- z* K) T
M: It's up to you. I don't know the restaurants around here that well. So you know a better place to go than me.' {$ h" |1 G6 V' Y) c) {
Q: What does the man mean?
: X- n" f! o: D! u; ~Longer conversation one
9 i, g8 p3 F p) vW: This food is terrible. I can't even finish my dinner.
7 D+ X/ m$ r' @8 p: uM: I know. You think with all the money we pay for room and board, the university could hire a better food service. Where are you headed next?- |. j( u5 O" |3 t0 B$ {, k
W: I'm going over to the student recreation center to play some bridge.
5 {4 f5 Y+ U5 P: E0 x3 mM: You are spending your time on a card game?
3 s* I* W/ ]& d$ W& d1 W: IW: Not just any card game. It's one of the most strategic there is.* t- U0 K# X: M$ I
M: So I've heard. Don't you play with a partner?1 Z0 a. [2 ~7 G2 d
W: Yeah. Four people play, two against the other two.
4 L) \/ F+ A! h8 JM: So you try to play in cooperation with your partner.& |& {9 ^$ ~- G
W: Actually, the cards of one of the four players are turned face up. That player is called the dummy.& C+ Y$ \1 h8 C
M: I wouldn't want to be called that. When you are the dummy what do you do while the cards are being played?7 |/ v' ~ ~* D9 g% N+ L# q- S
W: Anything you want. Sit there and study, shuffle another deck, get snacks for everyone. I like to stand behind my partner and watch.
- s$ U, N) b; J$ v: w0 q4 v+ J& YM: You know, I've heard that bridge is habit forming. You should be careful not to play so much that you don't get your studying done.# L9 Y( O \# { ~
W: Don't worry about me. I only play Thursdays after dinner, and sometimes when they need a fourth player. If you like, I could teach you.
: S; x) P7 _5 p1 F' z) W# bM: Thanks. But I have a pretty heavy workload this term. I already spend my evenings learning things I don't really know.
- W# G: }4 k, O! O$ b8 ?8 YQ19.Where does the conversation take place?" j( x) O {8 p( y5 Y! S
Q20.How does the woman plan to spend her evening?4 G( S$ W3 _2 K
Q21.What will the woman probably do if she is the dummy?, }6 F, u, e1 c5 g; _
Q22.Why doesn't the man accept the woman's offer?2 B% ~9 x5 L- A/ g
Long conversation 2 3 A" Q& I1 Z* Z3 Z, A/ h5 R
5 r1 a. U! B- W \+ gM: So, Claire, you’re into drama!1 O: [$ r7 q* _; O, i- ~/ z- y1 N
W: Yes, I have a master’s degree in drama and theatre. At the moment, I’m hoping to get onto a PhD program.
" x$ ?. [7 z5 z7 t8 u0 Y4 }" nM: What excites you about drama?0 f, H4 |/ \: d
W: Well, I find it’s a communicative way to study people and you learn how to read people in drama. So usually I can understand what people are saying even though they might be lying.! W9 v3 V. ]. L9 _& `4 { B
M: That would be useful.2 S) X/ w2 U, K7 w" e, L* U+ P
W: Yeah, it’s very useful for me as well. I’m in English lecture, so use a lot of drama in my classes such as role plays. And I ask my students to create mini-dramas. They really respond well. At the moment, I’m hoping to get onto a Ph.D course. I’d like to concentrate on Asian drama and try to bring Asian theatre to the world’s attention. I don’t know how successful I would be, but, here’s hoping.0 ^' n; O4 e# ~9 N3 d& f' Q
M: Oh, I’m sure you’ll be successful. Now, Claire, what do you do for stage fright?
( M2 o9 p) `- F( ?: L% l- JW: Ah, stage fright! Well, many actors have that problem. I get stage fright every time I’m going to teach a new class. The night before, I usually can’t sleep.
* J+ z( b* J6 l) ~+ n1 rM: What? For teaching?
( K0 X6 o9 z5 nW: Yes. I get really bad stage fright. But the minute I step into the classroom or get onto the stage, it just all falls into place. Then I just feel like: Yeah, this is what I mean to do. And I’m fine. |