Something has been happening to the concept of "fiction",
3 U. n5 z( v9 d* X' } either in critical discourse and elsewhere. For a long time, __1__7 R( Q9 f3 a: A, e! W! e4 P
this concept operated under common understood restrictions. __2__
* n4 C5 a' D* W( f3 K7 J, I& V7 y9 } It was used to refer to a certain genre of literature; a certain __3__$ K# O" H$ M+ K+ a @
aspect of literature in general——the element of plot, action,
% u" ]' g2 r1 P( m/ K or fable, including such constituents like character, setting, __4__5 b3 [. ^7 U, Q( B+ j: h" M7 c
scene, and so on; and to any narrative or story contained __5__
# E/ [5 Q/ v4 u+ r) E* \9 ^ a large element of invention. But recently, the concept of% |+ g5 p* \9 D3 I7 A/ l
"fiction" has undergone an extension. Though still used to __6__# ^2 J. D+ A; Z$ S' X
refer to the action or plot of literary work, it has come to __7__
6 J4 j7 w- `( a be appllied to something more: to the ideas, themes, and+ e: B) p& d; @4 d7 t9 u0 C
beliefs that are being embodied in the action or plot. It is __8__
' G. A% A- t+ T. `6 Z not only the events in literature that are regarded as fictive4 R3 o) D1 k$ H4 Y6 P" y9 O
but the "message" or "world view" conveyed in the presentation( t6 R3 {" g% a0 Z ?5 R c
of the events as well. And this is not the end of the matter.
- u9 K+ c5 Z4 b) Z' G$ m3 G! O Gone a step further, critics now sometimes suggest, by a kind __9__
9 O" c5 J* s q; @ of tautology, that literary meanings are fictions although all __10__
* B L4 s* Q/ ]2 a/ y+ w* F) G meanings are fictions, this critical view asserts that "life" and
9 _1 Z) J" Z& h# A9 h "reality" are themselves fictions.7 N, d6 h* g7 F- j
答案及解析:, `" P2 t8 v! z' s
1. either—both: H% T& T8 r: w) x
both...and...为固定搭配。1 W# ^% d2 k9 O+ X
2. common—commonly
% O8 ^* p2 r$ _5 P) d N- w 过去分词understood作定语,需要副词修饰
3 F1 }; l; [$ v1 d6 U& O) ?2 p 3. 在第二个a certain前加to0 D% o, U6 g$ G6 x3 w/ a9 G
与前面的to短语并列,都为refer to所加的短语
, k) T6 r6 v( }/ ~- r 4. like—as 或 删掉such' ^( M/ Z' j. H+ o6 {. T
such...as为固定搭配。如删掉such则为单独由like引出所举的说明性的例子
+ e: T4 _" w: s- I( { 5. contained—containing
, |0 u5 W' v, I' M 现在分词做定语,相当于定语从句。
* @( G/ I! b" c: A. p$ B ~/ N( U 6. extension—expansion
9 Z( \5 w2 Q, u+ t extension与expansion为形近词,前者强调纵向的扩大,增加或延长,后者着重多方位的,全面的发展和扩大。! w" Y D& e( A9 H, {' ~4 ?2 V1 y
7. work—works0 g5 B6 g1 h- p# } w+ ~7 `% j
此处指的是文学作品,常用works。) S6 q z4 ~ Y: D& v: K2 |
8. 删掉being& `, r9 B0 w6 }& F8 L* D4 M
整篇文章都为一般现在时。
5 W; C0 J% r! }' c2 B7 }( l- o 9. Gone—Going
9 Q! J; R7 P4 U, d/ D4 C+ F* m1 H 现在分词作状语,表示动作由主语发出。! ~8 A9 @- U1 f6 k/ V' k/ O
10. although—because# B, @$ n7 b# G E/ P; W% ?& y
应该是原因状语从句,而不是让步状语从句。 |