</p> Reading comprehension / d+ i! o" G M) e- u2 o1 M
Read the following two texts. Answer the questions below each text by choosing A, B, C or D.
* b) B( N7 d. E. n The Globe Theater-Shakespeare’s Theater ; s$ l: R* A/ m8 x5 @* G- ^
The original globe was built in 1599 by a group of actors. Among them was Shakespeare himself and over the next few years his major plays, including the four great tragedies Hamlet , King Lear, Macbeth and othello, were staged there. But during a performance of Henry Vlll, in 1613, a spark from cannon set the thatched roof on fire and the theatre burned down. Although rebuilt, it lasted only until 1644. And that might have been the end of the story, except that another spark then entered the mind of the late American actor and film director Sam Wanamaker 40 years ago, when he came to London and set off to look for the Globe’s original site. He was interviewed last year, shortly before his death: % |: {8 I# k4 |$ N
Nobody really knew where it was. But anyway, I did finally get to it. It was marked by a black plaque, which is still there, on the side of a brewery wall, which said, in effect, this is the site of the world’s greatest theatre. It was erected by the Shakespeare Society of Britain and India and of al places. And I thought, well, why don’t the British do something about this? I mean, this is terrible. * |9 `# I( Q( e8 P% ?1 q& P
There are imitation globes in several countries around the world - Japan .Germany, the United States ---But all make extensive use of modern technology. Wanamaker wanted to build something that was, as far as possible, an exact reconstruction of Shakespeare’s theatre. It’s this that’s now taking shape by the River Thames, a few hundred yards from the original site. When complete, performances will take place with no artificial lighting, no heating, no recorded music, no modern costume. No amplification, no cuts in the texts; and since the theatre is open air it’s certain that there’ll occasionally be wind and rain. All this is as it would have been in Shakespeare’s day, but actors in the new Glove will also have to compete with the 20th -century sounds like airplanes and police sirens, Sir Anthony Hopkins, one of the country’s best-known Shakespearean actors, was asked how gre4at the problems would be: 7 Q3 ]& D: s+ k0 R
I don’t know. I haven’t acted here yet, I guess they’ll meet those problems when they come to it. But I think they’ve taken that on board. Audiences seem to accept it -they’ll accept rain ,snow, hurricane, planes-they’ll accept anything, I suppose.
& |9 l6 y0 W$ M* D: _( v4 G* t The new Globe will also be faithful to the original one in its design. Wanamaker explained: It’s a circular building, which is not round -it’s a polygon, consisting of 20 sections, modular sections. These sections represent three galleries-the Glove had three seating galleries, which were covered and protected form the weather. It had back wall, equally protecting it form the weather, and in the center of this circle. And the people who couldn’t afford to pay more than a penny would stand around the stage and the people who would pay a little more could sit in the galleries. ! w1 o4 t1 r+ a: q
These galleries rise like sheer walls round the stage. Giving it an enclosed, almost claustrophobic feel behind the project is a belief, which was passionately held by Wanamaker, that in recent years productions of Shakespeare have become far too dependent on special technical effects of sound and lighting. Wanamaker with supporters like Bill Bryden, one of Britain’s leading theatre directors argued that with new Glove they would be forced to avoid illusion, and would have to put much more emphasis on the language of the plays. * f% R8 {$ G6 `9 W5 i$ C! ?( o
The Globe project is still short of funds: It’s received little official help form within retain, but a lot of indifference. one reason is the undoubted prejudice against open-air theatre. A prejudice is due mainly to the vagaries of the weather. More seriously, some members of the theatrical establishment believe that, in the end, the reconstruction amounts to no result.
4 h: _2 Z0 l2 q. x We’re not trying to create museum theatre3 or do it the way they did it in Shakespeare’s time, not at all, we’re simply saying here is a platform here is a circle, and here is the performance without all the illusionist things that we employ to do plays today. It’s wholly different kind of theatre. It goes back to the original forms of theatre. And it was without all this silly business-which is fine for the modern play, but it’s not fine for an Elizabethan play… ! ?. D* S6 j' l. u: R6 S% B
Every year Shakespeare’s birth is celebrated with special events at the Globe. And next April next April should be a particularly momentous occasion, since, funds permitting, the theatre is due to celebrate its official opening.
; T: v& z5 v) T& ]9 |# \2 D 1. Who is the first to want to build the new Globe Theater? 1 x% j. A# b! w* {& d# I8 B
A. British.
) {3 w( F% o6 U% a/ G4 Y B. An American. , \$ H$ T$ P8 ~" }# m/ F/ W
C. A Japanese. $ |% m2 Y: w8 |; z4 z) D3 w
D. A German. 6 p2 e2 P( H, G8 Z9 x
2. The Globe Theater in British is different from the Globes in other countries in____.
& ^6 o# }; y' S7 U A. shape. 8 b+ \ v D6 @% E' ~- m
B. structure.
3 W! }" {: W, L1 w C. size. , u7 Z0 w3 \. [+ |" L$ b4 k+ _8 n
D. modern technology. ( M& }( r, B5 ^
3. The belief held by Wanamaker passionately that____.
4 |" }+ L- N1 ?3 w }% V A. in recent years plays of Shakespeare depend on modern technology. * z+ q: Z$ a% o% y$ c
B. in recent years plays of Shakespeare don’t depend on modern technology. 0 S8 T- m* a6 `2 o
C. in recent years plays of Shakespeare shouldn’t too much depend on modern technology.
% y ~$ x* r9 v& v7 ~ D. in recent years plays of Shakespeare are not dependent on modern technology.
6 F4 ?0 ?2 F7 {1 y 4. Wanamaker doesn’t stand for the view that plays of Shakespeare far too depend on modern technology and emphasizes____. 7 `9 d6 M6 @# \+ x
A. the modern technology for performance. : ^$ P7 m; W; R5 O4 b
B. special effect of sound and light.
+ B9 S. A8 g R, ] C. the language and the plays.
+ j8 ~/ E! {0 ~% l D. record music. + y& b2 O* l8 G$ m7 S/ [9 z
5. The Globe project received little official help from within Britain because____. / r' v7 n4 }( d# z$ _8 v
A. the British have the prejudice against open-theater. : u3 @$ ?8 d+ B+ B! b. d, P- ^8 f7 X
B. some people in the theatrical field think the reconstruction is no more than meaningless historical performance.
& @# x2 _; Y9 K, } D$ ]3 i$ ^ C. the British think the reconstruction of the Globe Theater is meaningless in modern times. 9 r& N) \# b9 E7 ~( L. S1 |
D. both A&B.2 c, {9 l; ?* H: u
解析:
6 U) m8 D7 E* y% z: K/ j 1.B. ; e" O/ ], |, `; L | V: e
结合全文的内容,我们知道,Sam Wanamaker 筹划并重建了Globe剧院。文章的第一段的倒数第二句话告诉我们:Sam Wanamaker是美国的演员和电影导演。 7 C- u8 d, i$ l! v+ B2 J1 H9 ~' E, n
2.D.
9 B2 L/ w5 M/ c% P2 ~5 j 文章的第三段第一句话:日本德国和美国等国家模仿和重建了Globe剧院,但是他们都广泛采用了现代技术。本段还告诉我们Sam Wanamaker要重建的剧院将不使用现代技术,重建后的剧院将与莎士比亚时期的剧院一样,没有人造的灯光,没有录好的音乐,没有现代的戏服等等。所以在英国重建的剧院和其他国家的剧院的不同在于是否采用了现代技术进行表演。 1 S: s" C% T" `
3.C. www.ExamW.CoM
/ x$ J6 M1 y( ?! M$ j |* X 在第六段中有这样一句话:a belief, which was passionately held by Wanamaker, that in recent years productions of Shakespeare have become far too dependent on special technical effects of sound and lighting. 这句话明确告诉我们Sam Wanamaker认为近些年来莎士比亚戏剧的演出过多的依靠了技术型的声效和灯光,而他认为戏剧演出不应该过多依赖现代技术。
0 {4 g: ?; d5 A" c! o 4.C.
1 W8 O& E5 \* t% k 文章第六段告诉我们Sam Wanamaker和他的支持者们将把重点放在戏剧的语言上。 2 M. j5 b+ a+ b. C( D
5.A.
3 f& `7 _( O+ J2 P: A: m( R 文章的第七段告诉我们:Globe的工程在英国得到极少的官方资助,主要有两个原因。其一就是:英国人对开放式的剧院心存偏见。另外一点就是:一些剧院建设成员认为剧院的重建会无果而终。重建剧院是否有意义,并不是剧院重建受到很少官方资助的原因。 |