Question 1-9. o0 |! B$ h! J$ ~1 V
Often enough the craft worker’s place of employment in ancient Greece was set in p. \, W, x3 P8 i: c- _- F3 k/ d
rural isolation. Potter, for instance, found it convenient to locate their workshops near 9 P: L- h: g N$ Y) y2 g9 M% k: W
their source of clay, regardless of its relation to the center of settlement, At Corinth and: ^9 }! w; }, u) s9 p, W
line Athens, however, two of the best-known potters’ quarters were situated on the cities’ 7 L" P1 @; B; k4 ^+ L/ y7 u/ r
outskirts, and potters and makers of terra-cotta figurines were also established well within4 I1 \% q6 a1 P4 O( W h$ S
the city of Athens itself. The techniques of pottery manufacture had evolved well before
2 V) v6 c* [( o# v( G# W! othe Greek period, but marked stylistic developments occurred in shape and in decoration, - i) I- d4 l s8 V5 V/ b+ r; l; E
for example, in the interplay of black and other glazes with the red surface of the fired pot.
+ w1 v' F$ S6 ~3 I* r6 c7 eAthenian black-figure and red-figure decoration, which emphasized human figures rather
( |; X$ g" k2 Q2 z9 ~ than animal images, was adopted between 630 and 530 B.C.;its distinctive color and luster
" B4 }) V! L: d9 ~were the result of the skillful adjustments of the kiln’s temperature during an extended6 d0 k" }! V, U# N+ s
three-stage period if firing the clayware. Whether it was the potters or the vase-painters
: R" d, s. A) d* K! P" r5 l9 zwho initiated changes in firing is unclear; the functions of making and decorating were 7 T/ Z7 D9 R3 a( @+ s9 m
usually divided between them, but neither group can have been so specialized the they 3 l! u$ ]( h# Q
did not share in the concerns of the other.
, h' S1 q) d& d9 l2 }/ Y1 \ The broad utility of terra-cotta was such that workers in clay could generally afford to7 |' ^# t0 E: C1 L' _' U) |* `2 M
Confine themselves to either decorated ware and housewares like cooking pots and storage
6 ?: Z9 A; v5 m" V s" A9 pJars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C./ e* u6 b4 C! }$ p* h
Athenian pottery establishments are known to have concentrated on a limited range of fine. A, q; y. ?6 g. x% X d& f# W1 r
ware, but a rural pottery establishment on the island of Thasos produced many types of
6 d+ c& ]3 j+ i! a Wpottery and roof tiles too, presumably to meet local demand. Molds were used to create
) U/ i- K4 P d. |0 Fparticular effects for some products, such as relief-decorated vessels and figurines; for
$ O0 w, U$ ~1 M. `other products such as roof tiles, which were needed in some quantity, they were used to% ]- U/ V! ~5 S! p; c
facilitate mass production. There were also a number of poor-quality figurines and painted
" e8 z' A: h% e. {( I(25) pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify. |