301. She also photographs away from her studio at various architectural sites, bringing camera, lights, mirrors, and a crew of assistants to transform the site into her own abstract image.8 `- ]3 r* ]& U6 o
The word "transform" is closest in meaning to which of following?( m6 |. h1 z ^) S' |
(A) move
. i+ J/ B$ G* B+ R# C(B) extend! x' e. m) S. g# k- l }' Q
(C) change
1 k: r4 K5 e, F$ x1 W+ U; C(D) interpret7 R- g. T# h% l1 l7 N6 R+ H
# p# v% w& J+ l9 s/ H9 I: k! J
302. At first she works only with objects, concentrating on their composition ; then she lights them and adds color from lights covered with colored filters.
3 ?- z9 @+ [$ `: ~) ?3 ?The word "composition" is closest in meaning to which of following?
& p9 \0 a' Q/ K# D' w4 P(A) arrangement) ?/ H, v6 r2 U4 R. m- p
(B) brightness
# ]$ X# n- }7 N) i" p8 ](C) quality% I* x) M! V8 x* |. _; Z
(D) size
* X, e& t3 X: U% M
5 Q& s7 e! C+ {3 |/ T2 T, h303. She visits each location several times to make sketches and test shots. Until she brings in the lights, however, she cannot predict exactly what they will do to the image, so there is some improvising on the spot.
, ]8 w5 h( G. v- c2 A nThe word "shots" is closest in meaning to which of following?
& Z" h$ {/ v( S, k+ J! U! k' V(A) injections
2 m5 B) p0 ~7 `4 C Z, U u(B) photographs/ i. l, P f: L% j; S6 m/ E# a
(C) loud noises
" p/ |- G9 u/ |4 u(D) effective remarks
, h1 q& c9 C m& T, l2 C2 N7 M& c! I J/ }5 A
304. With its radiant color and plantlike shape, the sea anemone looks more like a flower than an animal.9 o$ {, l1 a( I, F/ {. I% {
The word "shape" is closest in meaning to which of following?9 t3 V" {# Z- m: P7 n4 @
(A) length2 Z- y0 @5 }8 @4 [
(B) grace% k O, ?5 B4 d/ b
(C) form$ t8 q3 @+ E( g8 f
(D) nature
" W$ l: \2 b6 f% J5 l! }% s5 ]7 ? P! W7 ], B6 n
305. The upper end of the sea anemone has a mouth surrounded by tentacles that the animal uses to capture its food. Y% [" d' ^# g6 g: n- C
The word "capture" is closest in meaning to which of following?) N9 _9 N( [4 u# ?$ }/ x+ {5 h3 \
(A) catch
2 Q+ b0 O1 i. Y(B) control
, v" f; |9 R8 S! R( A(C) cover
, e6 Y* f2 W0 Y2 f(D) clean
) T4 s$ _4 a) C* w7 K4 G/ c. W+ {8 V% L( i; N' {+ p" y3 ?
301 C6 G+ ^0 Q- A& W
302 A4 U* |5 \( O* U& g8 U
303 B
2 U* o$ n/ ?6 L7 T" I; T304 C
8 q: y. P5 D1 A4 v305 A |